Retracing A Disappearing Landscape: Curated by Najlaa El-Ageli (Noon Arts Projects) and the first of its kind internationally, this six-week interdisciplinary art exhibition will be exploring people’s direct experience of and fascination with memory and personal history as well as the collective narratives that arise in connection with modern day Libya. Involving the participation of over 25 contemporary artists and professionals, it will feature visual artworks, especially commissioned installations, film, photography (archival and recent) and seven parallel presentations
Pop Art From North Africa: Curated by Najlaa El-Ageli and Toufik Douib, this collective exhibition will put together for the first time under the P21 Gallery roof, the artworks of fifteen creative individuals from North Africa who are all inspired by the Pop Art movement. Every country in the region is represented, including artists from Morocco, Algeria, Tunisia, Egypt and Libya as well as their diasporas living in Europe.
As a media partner with one incredible project, I will of course be partial here to highlight the 'Pop Art from North Africa' exhibition. Curated by my sister Najlaa El-Ageli and Toufik Douib, this collective show will put together for the first time under the P21 Gallery roof, the artworks of fifteen creative individuals from North Africa who are all inspired by the Pop Art movement, with every country in the region represented, including artists from: Morocco, Algeria, Tunisia, Egypt and Libya as well as their diasporas living in Europe.
The Jewelled Tales of Libya: Showcasing Libya’s antique silver jewellery and exploring the diversity and historical identity of the country through its fine pieces. This exhibition, curated by Najlaa El-Ageli and Hala Ghellali, will bring the rich cultural heritage to the wider public and aims to shed light on the story behind the jewellery and the symbols that feature heavily throughout the geographical expanse that we know as Libya. A parallel aspect will also be the vintage photography of Libyan women that are also from a historically valuable private collection.
United by what can only be described as the fearless feminine spirit, ‘Textual Threads’ brings five strong emerging artists who will inspire you, challenge you and make you marvel at the different creative ways each has chosen to approach some of the difficult topics impacting on the Middle East and North Africa (MENA) region today, whilst also offering internal transformations. With a womanly abandon in the use and choice of highly different textures and methods, what is pertinent to the Arab is here revealed and with a great cross-section of origins coming from Syria, Libya, Algeria, Saud
The Melting Pots, Libyan Art Exhibition: A group exhibition curated by Noon-Arts, bringing a mix of artwork from Libyan artists as they consider the open concept of a city in relation to Tripoli and Benghazi, Libya.